The Trekzone Interview – Part One – WHO! is Matthew Miller

Trekzone.org is Australia’s first Star Trek fan website launching in 2003 Trekzone, was a year 10 High School IT project for its host Matthew Miller, although it sat idle for a few years in 2012 Matthew finally decided to turn it up a notch and really get into producing content for his site.

In February 2012 Matthew launched a short-lived fan series called Eternal Night, but it was in Apr 2013 that things really took off for Trekzone when Matthew attended the red carpet event for Star Trek Into Darkness, where he managed to interview some of the main cast from the film. Since then Matthew has managed to interview some really big names not only from the Trek universe like Doug Drexler, Anthony Montgomery, Alice Krige, Rod Roddenberry and Walter Koenig. But Matthew did not just stop there and in the space of ten years, Matthew has managed to pull in some other big names from the Sci-Fi universe adding the likes of Richard Dean Anderson (SG1) & Joe Flanigan (Stargate Atlantis) to his list.

However, Matthew and Trekzone have not stopped there, and in 2016 Matthew took to the road and produced a mini-series of blogs called Sci-Fi Weekly where he got the chance to meet some of the top scientists in Australia for example Dr Andy Thomas – Australia’s first astronaut, Dr. Anton Wallner, Dr. Geoff Campbell and Dr. Brad Tucker, although a short-lived mini blog series it was one that drew a lot of interest to his site and more recently Matthew was one of the main followers of the Axanar lawsuit producing content that covered, the particulars of the lawsuit and how it has changed the fan film world forever.



James) Hey Matt, tell us a bit more about you.

Matt) I’m a thirty-year-old broadcast engineer in the real world, which sees me working in television making sure people can keep watching our TV signal.  I like a good bottle of scotch, a decent TV show (Designated Survivor is a good one right now… I’ve only seen the pilot so far though.)  I dislike frauds and people who make huge claims but fail to deliver.

James) Other than Trek, what other TV shows do you like to watch?

Matt) Babylon 5, Stargate are a couple of other Sci-Fi shows I like, also enjoying Dick Wolf’s Chicago series of shows and a few others on TV right now.

James) Well, you should like Stargate lol you have interviewed a few of the main cast :p how awkward would that be if you interviewed someone you had no idea who they were,

As a keen Star Trek fan, do you play any Trek Games, and If not Trek Games then what ones?

Matt) I recently discovered Steam has the entire back catalogue of Age of Empires, man that was a cracking series for its time (and they released a remastered version of number 2!)  In the Trek universe, Armada II, Bridge Commander, Birth of the Federation were amongst my ‘lay by’ purchases when I was a junior… I remember waiting for hours for the install and crossing fingers hoping the graphics card was up to spec!

James) So know we know the basics of who you are and some of your likes, because I am nosey lol, what is your day job?

Matt) I work in TV here in Brisbane, they’re good to me and it’s fun to be behind the camera at work – which allows me to not be too burnt out while producing The Trekzone Spotlight (I do feel that they are different sides of the TV business so it’s good fun.)

James) Tell me a bit about your history with Star Trek what does Trek mean to you. What Trek Actors have you met in real life if any?

Matt) Thanks to The Trekzone Spotlight, I’ve met Nana Visitor, Connor Trinneer, Rene Auberjonois, Anthony Montgomery and a few others… also met a few of the guys and girls from Stargate (Richard Dean Anderson was a highlight, so awesome!)

James) I so need! To start doing Cons I think I need to get out more lol. With Trekzone do you go to many Star Trek Conventions?

Matt) One dedicated Trek con when I was 10… we had lunch with Tim Russ! Australia doesn’t get too many dedicated cons, the audience would be there for it though…

James) That is kind of like the UK We have Cons but I think the only Trek-centric one is Destination Europe, everything Trek-centric seems to be states side mostly.

So moving on out of 5 live action series, 1 animated one do you have a favourite Trek Episode and if so why this one?

Matt) That’d be a tossup between DS9 season 4’s The Visitor, TNG Season 6’s The Inner Light and VOY season 3/4’s Scorpion parts 1 & 2.  I love some good character focused eps (and Scorpion because the Borg get their ass kicked!) – OK, you only said episode… but can YOU just pick one from 728!? ;).

James) Erm, I guess not for me though I have my go to episodes which I guess they can be considered “favourites”. Out of all the features do you have a favourite Star Trek Film?

Matt) First Contact.

James) Hmmm That is a good choice but, I think a lot of people pick that one, it is one of my faves but my fave film I think and it is controversial lol is Nemesis, not for the story as such as let’s face it, it does lack in a lot of areas but it is just different enough yet similar to be a good trek film. Do you have a favourite Trek Actor/Actress?

Matt) Nana Visitor… she went on such a ride with her character that was so rigid in the beginning, striving for independence for herself and her people after the Occupation, but over seven years developed deep friendships with these aliens that came straight after the Cardassian’ and started running the space station… she even fell in love with the shapeshifter.

James) Worst Trek Episode Why?

Matt) VOY’s Threshold. Need I say more?

James) The Jane Paris BABIES! Lol. Favourite Series & Why?

Matt) Tossup between DS9, for its gritty take on Trek and Enterprise for its optimistic vision of our near future (despite an out of character third season.)

James) Worst Series & Why?

Matt) TOS, purely because I grew up on TNG and those 60’s elements are so 60’s. (It’s not bad, it’s just very different… or original.)

James) You know I am the same, everything seems to be TOS saturated, yes I get it, TOS is what launched 51 years of greatness but like you TNG was my baby but it’s not my fave : -O.

You recently covered a few fan films and you have interviews people like Vic from STC, Do you watch any Fan Films do you watch?

Matt) I’ve caught Hidden Frontier (that series got me excited for my fan series, and then I met Carlos who worked on it!) Continues, New Voyages. Most recently Chance Encounter – good flick.

James) I remember seeing Hidden Frontier YEARS! Ago then I drifted away from fan films it was not until Renegades did I come back and play catch up. Can you rank your top five (if you have them)?

Matt) Chance Encounter, Hidden Frontier, Continues, Intrepid, New Voyages (I haven’t seen much of James’ series.)

James) I have seen all of them you have listed and like you, I have not watched many NV episodes yet, TBH I think once I watched a lot of STC and a few stand alone ones I was TOS’ed out, BUT! I plan to go and watch some of them over the next few weeks as I want to see the ones with some of the TOS cast in.

What other Star Trek fan productions do you watch/listen to etc (Podcasts, YouTube shows etc)

Matt) I’m so short on spare time that I don’t catch very much else.

James) TBH, I am the same with having to “try” to cover as many fan productions as possible, I tend to skim through podcasts to bits that I am keen on hearing, I try to catch Sunday G&T as often as I can, I do watch yours when you interview someone I want to see and Trek Geeks I skim but Dan and Bill do it weekly so I always know I can go to their site and catch up.

As someone who has been involved in the fan community for a lengthy period now, what would you say is favourite parts of the Trek Fandom?

Matt) Meeting strangers with a shared passion the world over.

James) Worst Parts of the Trek Fandom (any bad experiences)?

Matt) Stubborn individuals that believe their way is the only way (to tell a story, to report on facts or even about other people.)

James) Man your diplomatic LOL, do you have any funny stories to tell

Matt) Not necessarily funny, but the spread of Trek fans always surprises me… there are Trekkies in the same suburb as me!

James) What makes you thankful to be a part of this amazing universe

Matt) Finding it tough to be thankful as this universe as thrown a few curve balls at me in the last six months, but I’m in a good place now and cracking on with the podcasts and staying busy for a while.



James) Moving on, we have covered your likes and dislikes in regards to the last 5 live action series, but now I want to tackle DISCOVERY.

I guess the first basic question is, are you looking forward to it?

Matt) Very much so, I’m hoping that The Trekzone Spotlight can help me delve deeper into it.

James) When you first saw the trailer for Discovery were you worried at all?

Matt) I was concerned that they’d be repeating the same ‘mistakes’ as Enterprise (doing a prequel because there is nothing left to explore post VOY)

James) See, I liked Ent a LOT so I get what you mean but I am keen on seeing another new prequel tbh lol. What do you think about the casting choices thus far?

Matt) Very good, it’s another group of relatively unknown / niche actors which are what TNG-era Trek has been about.

James) What are your hopes for Discovery?

Matt) That it survives the first season.

James) Well we know now, that they have ordered another 2 episodes and things do look real good for Season 2.

The departure of Brian Fuller has caused a lot of miss information being floated and a lot of “vocal” fans crying that it now means this series’ days are numbered, are you concerned at all?

Matt) I think Brian should’ve focused on one project at a time.  Does anyone know what J. Michael Straczynski is doing?

James) LOL I would prefer some of the old crew to replace him over J. Michael Straczynski tbh but each to their own 😛

What look do you hope they go for, we know its prime time line but do you hope it’s more prime than Kelvin or vice versa?

Matt) Has to prime timeline and character driven – we don’t need a million dollars of special effects to make good Trek.

James) I think with the latest trailer, it is going to upset a lot of people but! I am still excited. What do you hope they do not do with Discovery, as in PLEASE DO NOT GO THERE LOL?

Matt) Avoid the Arcanis sector at all costs.

James) LMFAO! You mean do not Axa it LOL!, another controversial point, that seems to have upset a few people is CBS’ decision to place it on CBS all Access in the states and Netflix worldwide  Do you think this move is a good or bad idea?

Matt) It is… interesting.  In one way it frees the series from the pressure of rating success, but on the other, there are more accurate viewership figures than broadcast TV’s Nielson boxes.

James) When I first heard of this choice I was not overly happy as tbh Netflix UK, not so good LOL but I think it is the way things are moving now, people in the UK at least tend to watch TV less and less and want to be able to watch things NOW!, I think this is the way things are heading tbh.

Do you think online streaming is the future of televised series and films, just as you use YouTube etc now, is TV on its way out?

Matt) That’s an interesting question, given I work in TV… I think free to air will stick around as long as it has things you can’t get elsewhere (in Australia before broadband internet our prime time was all the American shows, usually on a 6-9 month delay because our TV season is Feb-Nov, but now there is mostly reality TV or sport and news during the day because that’s not available anywhere else.)

That said, in the US it’s different because it is the world premiere of episodes each week… free to air and cable has its niche that way.  It is still the most popular medium to reach the masses.



That wraps up part one, in part two I talk to Matt about what his best and worst interviews were, his history in fan productions and what made him stand up and take a stand against that fan production that just doesn’t seem to go away. 

 


Trekzone can be found online at the following links

Follow, Share and Like

The Fan Film Guidelines Breakdown – Part One

It has been nearly a year since the release of the vaunted “Fan Film Guidelines” and it has taken time for many to be able to fully digest them and dissect them enough to understand what they may mean for fan films.  Furthermore, personally I wanted to understand what the fallout was from them, was this the end to ALL fan films or was this just a hiccup and then things would carry on as normal but with some alterations.  As history has presented us with all big changes to the status quo the landscape does change and there are always some casualties, as a result of their implementation a few fan films decided to shut up shop or retool to remove the Star Trek aspect altogether, however for the vast majority things carried on but as expected they had to alter things to enable the productions to move forward.

From the “about section” of Project Small Access

However, unlike the Borg some fans did not adapt and as a result a very small yet vocal group of fans have banded together to express their dislike for the guidelines, on the same day the guidelines were announced a group on Facebook calling themselves “Project Small Access” popped up with the goal to semi-boycott the new Star Trek series due to air on CBS All Access, they plan to achieve this by hosting “Viewing Parties” to hurt CBS “in the wallet”.

Admins and Moderators Of “Project Small Access”

Nevertheless after looking through the group seeing it’s Admins and reading its post history the group seems to be just another Axanar group due to the Admins being Axanar’ PR rep Mike Bawden, Known Axanar Surrogate Jonathan Lane who is joined by three other very loyal Axanar supporters but the strong pro Axanar vibe you get from its posts it is clear to see that there is an ulterior motive to the group and its goals. the timing of the group’s appearance is extremely suspect as not only is the group run completely by loyal Axanar supporters its inception was less than six months into the Axanar lawsuit.

An example of the hate directed towards CBS

Although the group started out with a somewhat ill-advised ethos in thinking that a disgruntled group of supposed fans (less than 1300) could try to somewhat hold CBS to ransom with the notion that they could influence change to the guidelines by using the tactics they use or they will not sub to All Access is misguided at best, diluted at worst. However, the worst thing is the group now stands, for the most part, as a group that has just descended into a free for all of venom towards other big named fan film productions and a strong dislike towards CBS in general, this is not only worrying but it tarnishes what Star Trek is all about, the acceptance of all things and the ability to adapt and change. Alongside this worrying facebook group there have been several petitions set up and a lot of extremely vocal folk saying on social media saying they will boycott all officially sanctioned CBS work or even pirate it as a result of the guidelines.


So enquiring minds want to know why have the guidelines been met with a very small but strong vocal opposition by fans and not by the fan films themselves, The answer is anyone guess, to date I have spoken to over 60 independent fan film productions about this and other fan production related issues and, while all of them have their own views on the guidelines varying from they love them too, they hate them, one fact that is undeniable is they all respect the need for them and more importantly respect CBS as they own the Star Trek IP and belongs to them so it is up to them how to they choose to protect it. But here is the thing, these guidelines are here to stay and they are not going to change or even go away overnight, and as it stands we have to work with them and show CBS we can play by the rules.

One thing that was passed along to me in so many conversations is until CBS handed them down, no one had any real idea of the boundaries that were acceptable to CBS for a production to operate within, before the guidelines there had always been the “unwritten” rules that pretty much everyone followed and many knew but unfortunately things started to escalate to the point even these unwritten rules were being ignored by a few and by one in particular. It took one production to push CBS & Paramount to the breaking point of what is acceptable even to them and with this the good old days of semi-unrestricted fan film production into the ground to a halt.

So why a blog series about the guidelines

Well, the principal reason I decided to do this is that almost everything you see online regarding them is so negative and, to be honest depressing, YES! They changed the playing field for fan films, but did they kill them NO! And that is important to communicate not only to whoever wants to read this blog series. So with the negativity and calls for action that surrounds the guidelines, I reached out to some fan film producers of varied experiences to see if they would like to take part in forming these blogs with their own views and commentary, I was extremely honoured and excited that the guys I reached out to decided to accept and have their voice added to these blogs. One key thing we all felt is it is very important to share our knowledge with the next gen of fan films.

These blogs will be split into sections as not to overwhelm you all at once and will be released as and when we have pulled our resources together for each section.

So this is part one of what may! Be ten parts, WHY? Ten parts the idea of these blogs is to break these guidelines down in an easy how-to for ALL fans to be able to make their own fan films without the all the negativity and misunderstanding and that is why I have teamed up with various people from different fan productions as these are the people who know more than others on what is involved in bringing a fan film to life.  


It should be noted the Fan Film Guidelines DO NOT effect anything but Fan Films, this means Audios dramas and alike are not bound by them.


CBS and Paramount Pictures are big believers in reasonable fan fiction and fan creativity, and, in particular, want amateur fan filmmakers to showcase their passion for Star Trek.  Therefore, CBS and Paramount Pictures will not object to, or take legal action against, Star Trek fan productions that are non-professional and amateur and meet the following guidelines.

Guidelines for Avoiding Objections:

1) The fan production must be less than 15 minutes for a single self-contained story or no more than 2 segments, episodes or parts, not to exceed 30 minutes total, with no additional seasons, episodes, parts, sequels or remakes.  



RANDY LANDERS – Potemkin Pictures

  • What is your interpretation of this guideline?

A single, self-contained story cannot exceed 15 mins or 2 15 min segments.  It does NOT prohibit characters or setting from being used to create another single, self-contained story.

  • Do you think that you can make follow up episodes as long as they are “self-contained stories” and not “part 2 or 3” of the same story?

We no longer can refer to them as episodes. They are fan productions. Captain Walker and the crew of the Tristan can appear in any number of self-contained stories/productions providing that they’re not more than 15 mins in length (or two 15 segments).

  • Are there any links you think would be of benefit to add to this section such as lists to strong short stories or links on “how to make a short in 15 – 30 mins”

https://www.youtube.com/user/Potemkin1711/videos

Only 4 of our 48 productions to date are more than 15 mins in length.  You have to be willing to avoid “beauty shots” or lingering on a character’s reaction or melodramatic pauses. Life doesn’t include those anyway. You don’t have to start the story in the beginning. Start it in the middle and let the audience figure it out. For heaven’s sake, they’re not stupid.

I’d recommend not relying on the two-parter as a crutch. Give us a short story!

Nick Cook – Intrepid

  • What is your interpretation of this guideline?

I think this is very intentionally worded to prevent people trying to market themselves as a series. That said, I also think there’s some room for interpretation. The time limits are pretty black and white but there’s nothing that specifically precludes using recurring settings and characters, as long as you’re not doing story arcs or direct sequels.

  • Do you think that you can make follow up episodes as long as they are “self-contained stories” and not “part 2 or 3” of the same story?

Yes, I do. See above.

  • Are there any links you think would be of benefit to add to this section such as lists to strong short stories or links on “how to make a short in 15 – 30 mins”

Not specifically, but I think if you look at the films Randy Landers’ Potemkin Pictures are producing, or the last couple of films we’ve released, you’ll get a fair idea of what appears to be tolerated. Which is not to say that couldn’t change.


Vance MajorMelbourne

  • What is your interpretation of this guideline?

Well, honestly I’ve already played the same character over several shorts, and no one’s come knocking at my door or taken down my films. I think ppl can look at the things I’m doing and see that what little bending I am doing is in good faith, these are just guidelines, not rules. It’s the spirit of the law, not the letter. Hell, it’s not even law, like I said it’s a guideline.

  • Do you think that you can make follow up episodes as long as they are “self-contained stories” and not “part 2 or 3” of the same story?

If they are made with passion. You watch um, no one’s going to mistake what I do for what’s on tv or compete with the big guns. If they do, they don’t get out much lol but I do bend that rule to some degree while respecting it somewhat. I had an idea when I started doing my stuff and I’m compromising on it because it is not my franchise. However, it’s my time to do with it how I choose. So I can compromise to some degree and respect the guidelines. But as I said, no one’s going to mistake me for what CBS is doing. And I think I have been very creative with the things I’ve put out, and what I’m waiting to put out. So….spirit of what’s intended. Even if not the letter.

Justin Burton – Former member of the Lexington production. 

  • What is your interpretation of this guideline?

Just exactly that, however, I would allow for a 30-second intro that would lead into the opening act.  Most Tv shows do not carry long intros anymore

  • Do you think that you can make follow up episodes as long as they are “self-contained stories” and not “part 2 or 3” of the same story?

Yes, But you have to follow the formula exactly and not make it look like a story arc.

Ray Tesi – Republic

  • What is your interpretation of this guideline?

Having had the opportunity to contact John van Citters and CBS directly, they seem adamite that it’s basically one story and you’re out, meaning no follow-up episodes using the same “crew.” On our Indiegogo page, we stated that we were looking to do a total of 6 episodes of Starship Republic. Of all of the questions I asked CBS about the crowdfunding campaign and its perks, this was the only item they indicated was “out of line.” The good news is that CBS is still allowing fans to play in their sandbox.

  • Do you think that you can make follow up episodes as long as they are “self-contained stories” and not “part 2 or 3” of the same story?

I think there are ways around the guideline, and I don’t think CBS will be “lawsuit happy” if you do, but I think it’s treading a fine line.

Robin –  Dark Armada:

“The guidelines set by CBS are just what they are…….. Guidelines, as it was explained in the podcast they’re not supposed to be rules and CBS, isn’t going to inspect every single fan film about these guidelines. The Star Trek Fan Film community used to live by a certain code or ‘unofficial rules’, until some decided to break that code and all hell broke loose. But it’s really just common sense: making a fan film means you play with someone’s intellectual property and in our case, CBS and Paramount have graciously allowed us to do that for over a decade. The risk that they would ask you to stop is always present, so do you think it’s wise to sell DVD’s, ask for money/donations, build a studio, pretend to be official Star Trek? Only a few thought it was. Most fan productions followed a few simple rules: don’t make a profit, don’t sell DVD’s or similar merchandise and make clear it’s a fan production. The only difference today is that these rules are now officially presented as guidelines by CBS. Follow them and you’re safe from any legal action. Most important about these guidelines are that your intentions are good (the common sense stuff I mentioned before), that it’s a production by the fans for the fans out of love for Star Trek (and of course…. don’t pull an Alec). My advice would be not to try to desperately work around the guidelines, but realise that they are a way for CBS to allow us to play with Star Trek as fans. Some of these guidelines weigh heavier than other. I think I don’t have to explain that collecting more money is a worse guideline to ignore than the one about the length of your film. Whether your film is 15, 30 or 45 minutes long, make sure your intentions are good and put a lot effort, a lot of work and a lot of love into it”

More Producer Analysis is on its way. 


Vic Mignogna from Star Trek Continues on Fan Films and CBS/Paramount

Vid Credit: https://www.youtube.com/watch?v=zbjgYZ1kzE8



  • One thing this does not say is you cannot use the same characters to tell further stories. Ref: 

For example, DS9: “In Pale Moonlight”, TNG: “Eye of the Beholder”, TNG: “Face of the Enemy”, ENT: “A Night in Sickbay”, VOY: “Message in a Bottle”, VOY: “Life Line”

All these episodes focus on one! Character from each series, yes there are one or two scenes with other cast members but the story revolves around one centric character.

 


There are so many fan films out there that have managed to stick to the run times as set out in this guideline it has been done and can be done.

Some examples are:

Animated Examples:

Live Action Examples:

Potemkin Pictures

INTREPID

DARK ARMADA –

Starship Valiant

Dreadnought Dominion

Melbourne –

Other examples see here –

= So making films within 15 mins IS NOT IMPOSSIBLE =


Ref: Engage Podcast – Full Transcript HERE 

Time Index – 00:35:30 – Time Length

{} Jordan {}

“There was somebody else that asked  uh 15 minutes for the film does that  include the credits and tell me if the  answer is right the answer is yes but  now like if you’re if it comes to minutes and  seconds  fine but go for  minutes right I mean  like these are doing shave it down”

{} JVC {}

These are guidelines there they are intended to be something that gives structure and lets people know that these the limits they can operate within where they know they’re not going to get a knock on the door well we don’t we don’t go house to house anyway there they’re not going to hear from us they’re not going to get a phone call they’re not going to get an email  they’re not going to get anything that is going to ruin their day one way or another and in and make them you know feel bad or like they’ve done anything wrong that they’re guidelines we’re not we’re not going to be able to provide the level of feedback that’s like you know I got this really great scene but if I include this scene or  this one really cool shot  I don’t want to cut anything else from  it’s going to make the film 15 minutes and 30 seconds what do I do that’s up to you and your you know  creative decisions were not looking to get into that, were not approving any material we don’t want to get involved in your script choices your costume choices”

Time index – 00:59:55

{} JVC {}

and what I’m what I’m honestly  hoping will happen with the with these  guidelines with a  15 minute or 30 minute limit on this and a  fifty thousand dollar crowdfunding limit  I think it’s going to be easier for people to hit their goals quickly and  easily and get their projects underway  I think with the 15 minute limit I think with some of the things that are here is it’s going to make it easier than ever for more people to pick up cameras everybody’s walking around with a  high definition video camera in their pocket now which is it’s amazing  that that’s where we’re at you buy  computers and there’s a capable video editing software preloaded on it’s an amazing time for that what we want to do is we want to drive more films forward more fan voices not fewer we want more we want we want to see more people express their creativity for Star Trek and hopefully out of that will be able to find new ways to take advantage of this and see  Star Trek continue to grow and evolve.

I’ve definitely had people express their concerns about what this means it’s a big adjustment there’s no question people have gotten people have gotten used to full like 1960’s length episodes of you know 50 minutes  plus 90minute feature films but that’s what we do we’re producing full-length episodes within and Paramount’s producing  amazing amounts of I mean they did the  budgets that are involved in a Star Trek motion picture now are beyond  anything I could you know possibly have  believed  years ago that that kind  of budget would be available to Star Trek


How to make a short film in fewer than 15 mins here are some tips on how to make a short film:


Ref Links:

 

Follow, Share and Like

TREKLANTA 2017

Even though this is their third annual Star Trek Convention under the name TREKLANTA, officially Treklanta was launched back in 2011 under the original name, “TrekTrax Atlanta.” it was in late 2014 they changed their name to the easier-to-pronounce, easier-to-remember and less confusing “Treklanta” so while many will only recognise the Treklanta name for the last three years this convention was actually its seventh annual convention.

As always the TREKLANTA Star Trek Convention, kicked off in its normal geek filled style a weekend filled with famous faces and Trek fans alike celebrating the one thing that brings us all together in the mad universe we call Star Trek.

This year’s convention had its normal celeb panels and guest speakers, Miss Klingon pageant and even a Star Trek themed wedding,



Although it is not every day you see a Star Trek themed wedding this was not the only thing that was spectacular to occur this year. The 2017 Treklanta also had something rather unique planned in it being the first time they held their Bjo Awards ceremony.

In 2016 following another successful run of its well known Independent Star Trek Fan Film Awards, which were presented by Carel Struycken, Tracee Lee Cocco and Jack Stauffer but also by the famous husband and wife duo, Bjo Trimble and John Trimble. Bjo and John were responsible for the letter writing a campaign that helped save Star Trek. During her time helping to present the awards, Bjo revealed to Eric L. Watts that she was so overwhelmed with how well the awards went, upon hearing this Eric asked Bjo if she would endorse the awards by allowing them to be renamed in her honour, and she modestly agreed. So going forward the Star Trek Independent Awards will now be known as “The Treklanta Star Trek Fan Film Bjo Awards”.

Although it has only been about a week The Bjo Awards have already earned their own moniker the Bjo’s, however In much the same way that the motion picture industry’s “Academy Awards” are sometimes referred to as the “Oscar Awards” the Independent Star Trek Fan Film Awards has renamed itself as “The Treklanta Star Trek Fan Film Bjo Awards” and the physical item that is presented to each winner will be referred to as “the Bjo Award.” Personally, I have to admit I was brought up to date by Eric himself in the correct terminology for these prestigious awards and the official name is a much more fitting name for such an Important person in Trek history, and I do hope the Bjo’s is not a term that becomes too widespread.

Like previous years the awards are sponsored and this year’s awards were sponsored by none other than Larry Flemming the man behind so many Star Trek Fan Film roles, I reached out to Larry just to ask him how he became involved in sponsoring this year’s awards and he had this to say.

“Hey, NP. I have been a Star Trek fan from the beginning. I have also been in a number of fan films, so I know what they go thru. I met Erik when he was wanting to get a fan group together and helped get Treklanta going. I continue to support him and all the great groups making fan films. In our new era of CBS monitored fan films, it’s even harder. I’m resting up after a long weekend helping Axanar move to Atlanta, so I support everyone making films. LLAP”Larry Fleming

A complete history of Treklanta can be found > HERE < and a complete list of its previous winners can be found > HERE <

In addition, if you want to find out all the goings-on at this year’s Treklanta visit their Facebook and website for a full rundown of its guest and the panels they held.



The 2017 Independent Star Trek Fan Film Awards, a.k.a. The Bjo Awards were presented at and by Treklanta on April 30, 2017, in Atlanta, Georgia.

You can watch the awards ceremony above or skip the video and scroll down to the list of names and categories.

The panel of judges included Diana Dru Botsford, Keith R. A. DeCandido, John DeSentis, Matthew M. Foster, Andrew Greenberg, Robert Greenberger, Cheralyn Lambeth and Archie H. Waugh. The Masters of Ceremonies were Eric L. Watts and Brian Holloway. The presenters included David Gerrold, Gary Graham, J. G. Hertzler and James Horan. The award plaques were sponsored by Lawrence L. Fleming.

BEST SPECIAL & VISUAL EFFECTS

FINALISTS

  • Red Shirt
  • Star Trek Continues “Come Not Between the Dragons”
  • Star Trek Dark Armada “Out of Time”
  • Star Trek: Horizon
  • Star Trek: New Voyages “The Holiest Thing”

BEST SOUND DESIGN, EDITING & MIXING

FINALISTS

  • Star Trek Continues “Come Not Between the Dragons”
  • Star Trek Continues “Embracing the Winds”
  • Star Trek Dark Armada “Out of Time”
  •  Star Trek: Horizon
  • Star Trek: New Voyages “The Holiest Thing”

BEST ORIGINAL MUSIC

FINALISTS

  • Needs of the Many
  • Red Shirt
  • Star Trek Continues “Come Not Between the Dragons”
  • Star Trek Dark Armada “Out of Time”
  • Star Trek: Horizon

BEST MAKEUP & HAIRSTYLING

FINALISTS

  • Star Trek Continues “Come Not Between the Dragons”
  • Star Trek Continues “Embracing the Winds”
  •  Star Trek: Horizon
  • Star Trek: New Voyages “The Holiest Thing”
  • Starship Farragut “The Crossing”

BEST COSTUMING

FINALISTS

  • Needs of the Many
  • Star Trek Continues “Come Not Between the Dragons”
  • Star Trek Continues “Embracing the Winds”
  • Star Trek: Horizon
  • Star Trek: New Voyages “The Holiest Thing”
  • Starship Valiant “Crosses to Bear”
  • USS Danubia “Force Contact”

BEST GUEST ACTOR OR ACTRESS

FINALISTS

  • Gigi Edgley as Eliza Taylor – Star Trek Continues “Come Not Between the Dragons”
  • Jacy King as Dr Carol Marcus – Star Trek: New Voyages “The Holiest Thing”
  • Clare Kramer as Commander Garrett – Star Trek Continues “Embracing the Winds”
  • Erin Gray as Commodore Gray – Star Trek Continues “Embracing the Winds”
  • Jason Carter as The Priest – Project: Potemkin “Room Service”

BEST SUPPORTING ACTOR OR ACTRESS

FINALISTS

  • Matthew Trammell as Dr Matthias – Project: Potemkin “The Last Child”, “The Talinar Incident”
  • Michele Specht as Dr Elise McKennah – Star Trek Continues “Come Not Between the Dragons”, “Embracing the Winds”
  • Grant Imahara as Sulu – Star Trek Continues “Come Not Between the Dragons”, “Embracing the Winds”
  • Cat Roberts as Palmer – Star Trek Continues “Come Not Between the Dragons”, “Embracing the Winds”
  • Kim Stinger as Uhura – Star Trek Continues “Come Not Between the Dragons”, “Embracing the Winds”
  • Tim Kaiser as Admiral Gardner – Star Trek: Horizon

BEST LEAD ACTOR OR ACTRESS

FINALISTS

  • Harriet Fettis as Elisabeth – “Needs of the Many”
  • Aaron Jay as Ben – “Needs of the Many”
  • Christopher Doohan as Mr Scott – Star Trek Continues “Come Not Between the Dragons”, “Embracing the Winds”
  • Vic Mignogna as Captain James T. Kirk – Star Trek Continues “Come Not Between the Dragons”, “Embracing the Winds”
  • Paul Lang as Captain Harrison Hawke – Star Trek: Horizon

BEST DIRECTOR

FINALISTS

  • Aaron Vanderkley – “Needs of the Many”
  • James Kerwin – Star Trek Continues “Embracing the Winds”
  • Julian Higgins – Star Trek Continues “Come Not Between the Dragons”
  • Tommy Kraft – Star Trek: Horizon
  • Wayland Strickland, Scotty Whitehurst – Starship Farragut “The Crossing”

BEST ORIGINAL STORY OR SCREENPLAY

FINALISTS

  • Aaron Vanderkley – “Needs of the Many”
  • Greg Dykstra, James Kerwin, Vic Mignogna – Star Trek Continues “Come Not Between the Dragons”
  • James Kerwin, Vic Mignogna – Star Trek Continues “Embracing the Winds”
  • Tommy Kraft – Star Trek: Horizon
  • Dave Galanter, Paul Sieber – Starship Farragut “The Crossing”

BEST DRAMATIC PRESENTATION, SHORT FORM

FINALISTS

  • “Needs of the Many”
  • Project: Potemkin “The Last Child”
  • “Red Shirt”
  • Starship Valiant “Crosses to Bear”
  • Trek Isolation “Out of the Fire”

BEST DRAMATIC PRESENTATION, LONG FORM

FINALISTS

  • Star Trek Continues “Come Not Between the Dragons”
  • Star Trek Continues “Embracing the Winds”
  • Star Trek: Horizon
  • Star Trek: New Voyages “The Holiest Thing”
  • Starship Farragut “The Crossing”

Below you can find a complete rundown of each award and its winner along with a table of all finalists that were considered.

 Release Date & IMDb LinkSeries Name & Web Site LinkEpisode Title & Online Video LinkRun Time
11/17/2016Needs of the Many“Needs of the Many”0:06:28
21/31/2016Star Trek: New Voyages“The Holiest Thing”1:03:53
32/26/2016Star Trek: Horizon“Star Trek: Horizon”1:42:35
43/9/2016Starship Deimos“The Lucky One”0:07:05
53/12/2016Starship Farragut“The Crossing”1:12:37
63/16/2016Red Shirt“Red Shirt”0:24:31
73/28/2016Battlecruiser Kupok“Sanctuary”0:07:56
84/2/2016Star Trek: Natures Hunger“The Darkside of Starfleet Justice”0:15:42
94/3/2016Star Trek: Intrepid“Nemo Me Impune Lacessit”0:11:10
104/10/2016Starship Tristan“Relics and Regrets”0:07:14
114/17/2016Project: Potemkin“The Last Child”0:20:53
124/21/2016Starship Deimos“Aftermath”0:06:09
134/27/2016Project: Potemkin“The Talinar Incident”0:08:11
145/4/2016Project: Potemkin“The Hunt”0:10:31
155/28/2016Star Trek Continues“Come Not Between the Dragons”0:42:20
165/31/2016Project: Potemkin“Inquiry”0:05:39
176/9/2016Star Trek: Revenge“Star Trek: Revenge”0:02:00
186/28/2016Starship Tristan“The Chronicles of Lanclos”0:08:59
197/17/2016Project: Potemkin“All in a Day’s Work”0:08:27
209/1/2016Assignment: Earth“Boredom”0:04:28
219/3/2016Star Trek Continues“Embracing the Winds”0:43:56
229/11/2016Starship Tristan“The Greater Good”0:06:27
239/20/2016Project: Potemkin“Destinies”0:07:37
249/27/2016Trek Isolation“Out of the Fire”0:06:41
2510/12/2016The Federation Files“His Name Is Mudd”0:47:25
2610/18/2016Starship Tristan“Be Careful What You Wish For”0:15:00
2710/21/2016Star Trek: Raven“Voyager Continues”0:32:03
2810/24/2016Project: Potemkin“Room Service”0:07:37
2910/26/2016USS Danubia“Force Contact”0:28:50
3011/3/2016Dreadnought Dominion“Chain of Command”0:07:38
3111/10/2016Starship Deimos“Pas de Trois”0:14:51
3212/9/2016Starship Valiant“Crosses to Bear”0:22:33
3312/10/2016 “Out of Time”0:31:20

Follow, Share and Like

Outpost: A Star Trek Fan Production’, A Hidden Trek Gem – Jeff Lincoln

“Outpost: A Star Trek Fan Production’, A Hidden Trek Gem”

The logical place to start would be a brief background on myself. Star Trek has been in my life ever since I can remember. I was raised on it as a child and as an adult, my love for the franchise just grew more and more. Eventually, I became aware of unofficial productions by fans. Originally it started with Star Trek: New Voyages by James Cawley and crew. Then it grew to Hidden Frontier and then finally Star Trek: Continues by Vic Mignogna and crew. However, none of those compared to my all time favourite Trek Production, ‘Outpost: A Star Trek Fan Production’ originally entitled ‘Star Trek: Outpost.’

Outpost is unlike the former shows mentioned in the fact there are no visuals whatsoever. It’s entirely done via audio like the radio plays of the early nineteen hundreds.  Outpost is created by Tony Raymond and Daniel McIntosh from Giant Gnome Productions.  Outpost at this time has a total of 73 Episodes, all nearly an hour long some of them having been recorded live at conventions by those in the audience.  The series is run in a serialised format, one episode leads into the next and the next and the story constantly flows in this matter. Unlike the traditional storytelling format of Star Trek where it’s a new disaster in a new location with a new species each week, this series focuses on a rather wide cast of characters in a small area of space.

The series takes place in a forgotten area of Starfleet Space near the border of the First Federation. The First Federation having been originally established by The Original Series through the use of the episode entitled ‘The Corbomite Manoeuvre‘ in which Balok trapped the USS Enterprise under the command of Captain James T. Kirk. Kirk promptly tricked the commander of the Fesarius and was granted an audience with him. Following this encounter, the United Federation of Planets and the First Federation opened diplomatic talks and eventually decided on the construction of Deep Space Three. Deep Space Three is a Spacedock-class Starbase, prominently seen in Star Trek III: The Search for Spock.



Deep Space Three was promptly assembled but the First Federation cut contact with the United Federation of Planets when an isolationist group seized government control. As such the Starbase quickly fell into the rut of an ‘Old Western Town’ where no one visits and is barely able to justify its existence. This being said, Deep Space Three has continued to exist up until the 24th Century where the story opens only due to it’s proximity to the First Federation and an area of space known as the Pinchot Expanse, which in and of itself has been rarely explored. As such the only permanent assigned Starfleet vessel is not at all what you’d expect either, an Oberth-Class vessel named USS Chimera (which its name sums it up pretty well, I will explain this in a different blog.)

The series follows a crew that has given up on the escape of Deep Space Three and the Chimera. It’s become common knowledge that an assignment to Deep Space Three is a dead-end assignment. This comes in the form of no promotions, no fun, and no extra privileges by the station’s commander, Captain Montaine Buchanan. Buchanan is basically a Scrooge-type character (ironically enough he plays this role in a three-episode special that follows A Christmas Carol in Star Trek form), where he views both resources and people as one in the same. He spends ‘No More and No Less’ than he needs to, and it promptly becomes his catchphrase or motto. His opposition is that of Lieutenant Commander Gregory Torkelson the Executive Officer of Deep Space Three and the Captain of the USS Chimera (who the series opens up with.) Torkelson represents that of a saving grace, or he does his best to try and make the lives of those at Deep Space Three better by combating Buchanan’s constant resource cutting.

Outpost hosts a magnificent cast of characters AND voice acting. For those wanting to get into a series that is not only evolving with each episode but promises a cast that grows AND learns from their experiences, I highly recommend this series. The series has its moments of exploration, drama, and action, exactly the type of series that Star Trek embodies. You get to see- I mean hear Klingons, Ferengi, First Federation, and other alien races not typically given more than a few episodes at a time. It will keep you entertained for literally hours on end and constantly keep you coming back for more.  Go check out Outpost: A Star Trek Fan Production here:

https://giantgnome.com/our-shows/audio-drama/star-trek-outpost/

I intend to write more about this amazing series in the future! Episode Reviews being the key focus and possibly more! Thank you for reading and I hope you will look forward to more!

Jeff Lincoln

Founder Star Force Media

Star Force Media


  • Author: Jeff Lincoln
  • Pictures: Google Images, giantgnome.com
  • Layout: James Hams

 

Follow, Share and Like